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WARNING: MATURE CONTENT
Yep. We opened up a studio in China. Alongside our dearest friends, Sinostage. This is the Kinjaz Dojo China experience.
"Kinjaz and Sinostage began working together in early 2014. Sinostage was newly established , and Kinjaz was establishing its international reputation. The two sides immediately bonded and shared values and stylistic sensibilities. They formed a close relationship and that human connection - more than anything else - became the foundation for fruitful future cooperation.
In 2015, Kinjaz and Sinostage launched ARENA, an international urban dance brand dedicated to superior quality live events, design, and digital media. Along with VIBRVNCY - Kinjaz and Sinostage redoubled their commitment to collaboration, investing mutual faith in each other and the community. The mission of Arena is to create a platform that, through the medium of dance, will connect cultures across the world, promote creative expression, and improve the lives of artists.
The opening of Kinjaz Dojo China marks the beginning of a new chapter in the Kinjaz x Sinostage partnership. As an extension of Kinjaz Dojo LA, it is intended to be a portal, connecting dancers across continents. We believe that a dance studio is more than just a room with mirrors: it is a place where you can transform into the person you want to be. We hope that this unique space will inspire and empower, and that its visitors will not only learn a set of movement, but the power of creative collaboration and community support as well. We are here to offer a path - it is up to you to to step foot inside and move forward in your journey to self discovery.
Respect all, fear none."
Choreography by: @mikeosong & @_anthonylee_
Assisted by: @_apple_yang
Performed by: Anthony Lee, Charles Nguyen, Mike Song, Pat Cruz, & Sinostage
Filmed & Edited by: Vibrvncy
Music by: Ahh Ooh "Carefree with Me"
Special Thanks: Sinostage
Go forth, and join the #ARMYofKIN on our social media!
● Support: http://smarturl.it/ZD_BloodBrother
So chill… Zeds Dead link up with DISKORD & Reija Lee for the impeccable Blood Brother, out now via Deadbeat.
Nothing always leads to something… Eventually. The blank canvas. The empty mind. The quiet room. Space waiting to be filled with thought, ideas, colours, shades, vibrations. Vibrations like the ones Caspa has been firing out on the regular since late 2016. One track head shots, each and every: focussed, firm and resolute in their underground nature and energy, they’ve been some of the darkest, heaviest, grittiest club tracks the dubstep pioneer has ever released.
Cue: ‘The Nothing’, a spacious, precision-measured step into the dubspace abyss, it’s Caspa at his deepest, moodiest and realest. With its stark, painfully poignant vocal sample the message is clear: forget the trappings, the frills and unnecessary displays of perceived ownership and focus on what’s real and dear to you… Not dear in price. Driven by ten-ton kicks, a croaked-out grainy bassline slurs and the hum, slides and pops of pistons and glitches ‘The Nothing’ is roomy yet crammed with detail and attention. Every aspect of it is considered and sculpted with kick-ass systems and vibe-drenched dancefloors.
Many men expect something for nothing. Men others get so caught up in the nothing they’ve forgotten why we’re here. For Caspa “The Nothing” is something to remind us why we have to fight the distractions and the bullshit for what we know is real and true in life. Something Caspa’s done his whole career…
In its twenty five year reign, Ram Records has seen a huge selection of LPs grace its back catalogue of music. These releases have helped elevate artists into ground breaking careers, demonstrating how Ram is both a key player and tastemaker within the world of drum & bass. And up next on the imprint is the debut album from Frankee, an artist in the truest sense of the word, who has paved his way from sister-label Program to delivering some of the most exciting released within the Ram discography. He now presents a single which nods to his effortless versatility, one spearheaded by a production standard he’s worked on meticulously for years, now paying off through formulaic summer anthems such as ‘In Your Eyes’.
Whether it’s the jugular slicing sounds of ‘Gully’, or the picked-out melodies of tracks like ‘Deep Down’, Frankee continues to impress with his diverse set of records. He returns to the softer end of his musicality with ‘In Your Eyes’, featuring Charlotte Haining’s peaking voice overture. Frankee’s hard-hitting drums sit beneath the mix and help give it an added weight, although each flowing instrumental adds to Charlotte’s blended vocal talent. With each element, the record orchestrates into yet another demonstration of Frankee’s imperative song writing skill.
‘In Your Eyes’ is an exciting signpost of what Frankee’s forthcoming album will pedestal. Not only will it celebrate his ability to merge his skill set with likeminded vocalists, but it’ll also showcase a sound spectrum which is intimidating for even the most longstanding artist. His album is quickly approaching and with it comes another monumental part of Ram’s history.
It’s been a while since we’ve seen Drumsound & Bassline Smith’s rough-edged alter-ego 2DB make an appearance. In fact, the last time the Technique bosses’ slightly more evil doppelgangers showed up was in 2015, when they delivered the masterpieces of filth Terrahawk, Check Out the Bounce, and Quaalude. So, have those two years away dulled the raucous sensibilities of the 2DB style?
Well, Leave opens with some dancehall-tinged chords and a pop-soul vocal that might lull the casual listener into a very mistaken sense of security. But then there’s that tom-roll into building kicks and pitch-bend madness that signals it’s time to brace yourself for a major onslaught. When it’s time to switch up the mood and raise the energy in the dance, this is going to be an essential tool.
The powerhouse drop is where we see that 2DB griminess come into full effect. That metronomic battleaxe strike of the mid-range bass, supported by chest-rattling sub and those monstrously stomping drums is going to hit any rave like an earthquake. This is insistent, driving, dancefloor music that’s made by people who know exactly what deejays want on their USBs. In short, it’s an absolute beast of a tune.
It’s clear that the 2DB moniker is the cloak that Drumsound & Bassline Smith to hide their dark side. Of course, they’ve got all the production skill, the technical ability, and musicality a producer could want. But, in tunes like this, they also get to show off undiluted raw savagery. And DnB dancefloors love it.
