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Max Cooper:"I always thought this music created the feeling of an enveloping weight grounding the body, something relaxing but dense and inescapable.
I started work on it many years ago as a chord progression which I used for the intro of a live set. So when I started this EP around interpretations of time, I dug out the old chord sequence as a starting point for 'Veil of Time', where I wanted to try and convey this inescapable and consuming nature of time, as well as its role in facilitating beauty through a simple process of change.
It's a simple piece of music, just some chords augmented with field recordings from Turkey, and some hints of a synth melody. It's supposed to be something to bring you out of all the complexities of the information barrage and back down to a basic experience.
Kevin McGloughlin has made another of his masterpieces with this idea too, something of an abstract time-stretching love story, which I'll leave him to explain!"
Kevin McGloughlin:"The film for Max Coopers 'Veil of Time' is the story of two people travelling in time together.
I wanted to represent how limited our mortal timeline is, how precious and important the moments we share truly are, and convey an intertwined timespan relative to the world that surrounds us.
The 'love story' unveiled itself almost unknowingly while I aimed at these aspects of time. My initial endeavour for the film was to capture human movement and explore ways to interpret time by displacing the motion, however the 'narrative' became more substantial than the techniques and as a consequence, I focussed my efforts in that respect.
The film features performances from Eoin McGloughlin and Morgan Bonel and was shot in County Sligo, Ireland, using a Sony FS700.
As ever, I was totally honoured to work on this commission with Max and Co.
Standing as one of the most resounding electronic music labels in history, Ram Records has finally hit its 25-year milestone. Established by Andy C and Ant Miles in 1992, the label has boldly placed itself on the forefront since its inception, acting as a foundation for the drum & bass genre and seeing through its development from the very beginning.
Once heralded as a platform for Andy C’s own productions, the imprint expandedmassively, becoming a world-renowned hub for some of the biggest drum & bass artists to ever hit the scene. The label has gone from strength to strength, helping to pedestal house-hold names such as Chase & Status, Sub Focus and Wilkinson.From the charts to the radio airwaves, they’ve continued their crossover success.Receiving daytime airplay and top ten positions unceasingly over the last decade, the producers have enabled Ram’s influence to seep into every corner of dance music.
Alongside support from BMG and current label manager Jim Gash, 2017 has seen Ram Records ascend to new heights. And to celebrate their twenty fifth year, Ram will be rereleasing twenty five original remastered classics from their definitive back catalogue as well as seventeen remixes, including reworks from Chase & Status, Killbox, DC Breaks, Frankee, Total Science, Benny L, Kasra and Enei, Ant Miles and Shimon, Bladerunner, DJ Marky Calyx & Teebee, Sound in Noise and Metrik. All in, it’s Ram’s most ambitious project to date.
The 25th year of Ram’s history is looking to be its most memorable yet. Both musically and through their major city UK tour dates, Ram’s versatile roster is still being pushed to new borders. Quarter of a century on and the record label is as strong as ever.
