BellaBassFly

Wednesday, December 20, 2017

Lil Peep "Save That Shit" (WSHH Exclusive - Official Music Video)

Rest in peace. The world was rattled by the sudden death of young artist "Lil Peep" in Tuscon, Az. November 15th 2017. Accidental overdose was the official cause of death. Check out the World Star exclusive of "Save That shit" If you or somebody you know has a problem with drugs please reach out and seek help. Too many young people lose their lives to substance abuse.

GET HELP NOW >> http://www.drugfree.com/general-info/drug-abuse-hotlines/

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Tuesday, December 19, 2017

Signs - Bandulu (CRIMES Remix)

LISTEN NOW >>> https://soundcloud.com/signs-music/bandulu-crimes-remix

Signs are a drum & bass outfit well known for their 174bpm riddims, with a back catalogue which has continued to dominate the darker realms. The French trio have pushed forward their cut throat assault with every consecutive release, gracing the discographies of the independent imprints who are currently leading the creative processes within their scene, crafting their own influence across one of dance music most unforgiving genres. And this time, they're set to drop an atomic sized release via the home grown Othercide:Subverse, the sister-label of Othercide Records and a label dedicated primarily to releasing half-time. And together, they'll demonstrate why there's been growing interest within the French market, cutting above their European counterparts with the Bandulu EP.

One factor which has enabled Signs to push forward their sound is an unbridled sense of versatility. The Bandulu EP drops the tempo for two brand new records, 2/2 dancefloor slayers which slice open subs and leave bass peddles reverberating through speaker stacks. Title-track Bandulu sets the pace; a lumbering mass of sonic dissonance and heavy distortion, it steps out with its refined engineering. It's a slick mass of beats and drums, with pulses of percussion and diced up vocal samples creating a call to arms beneath the mix. Signs' next offering Flexible is just as thumping, pushing forward on chiselled kick drums and a groove which instantly snares you in its grasp. The outfit certainly deliver for their forthcoming release, highlighting their positions as pioneers within their field.
And finally, you're introduced to remixes from both Host and CRIMES!, who pay homage to the originals whilst giving their own twist on each track. Whilst the US -based CRIMES! brings a more melodic spin to Bandulu, with an extra-terrestrial underpinning, Host moves Flexible into more minimal territories. Both reworks add another dimension to their predecessors and they bring yet more artists under the Othercide:Subverse umbrella. Together, they represent a new era for Othercide and the French dance music circuit. The scene is as healthy as it ever was and Othercide are leading the charge for yet another groundbreaking marker in its history.

Camo & Krooked 'If I Could' ft. Joe Killington (Spectrasoul Remix)

The second instalment for seminal electronic music act Camo & Krooked’s remix series proves that more is to come from its groundbreaking selection of featuring artists. Following their critically acclaimed LP Mosaik on the Ram Records / BMG imprint, they’ve returned to allow a host of artists across the dance music spectrum to take their most precious work and build upon its original track skeletons. The records showcased throughout the full package demonstrate the Austrian duo’s unbridled creative process, showing an ability to tap into the same A&R repertoire which helped them build such an inspired record. And for their next set of reworks, Document One and Spectrasoul were handpicked to bring their own moniker sounds into Camo & Krooked’s solid engineering.

Serious contenders within the UK bass scene, Document one are a pair well known for their putting their own twist on renowned music releases. Having already worked for the likes of Moby, Professor Green and Connor Maynard, they go for a more heavyweight style with Good Times Bad Times. Moulding the instrumentals prevalent throughout its intro with jazzier undertones, they then drop the track with bass-weight distortion levels and rocking drum beats. On the flipside, you’re drawn into Spectrasoul’s dainty chord progressions and filtered percussion throughout their take on If I Could. The drum & bass stalwarts appeal to their core audience whilst still utilising the melodic, vocal overtures of Joe Killington. With drum breakdowns which give their adaption a weightier feel, it showcases Camo & Krooked’s commitment to diversify a project that set the standard for their legacy.

Alongside the explosive first run of their live show tour, debuting across Austria, Camo & Krooked are solidifying the success of their fourth studio album. Their remix LP will only emphasise the dedication they have for not just the success of Mosaik, but also their influence across the wider electronic scene. Tastemakers and fans alike have backed this influence since its release.

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