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WARNING: MATURE CONTENT
In the year 2000, a young SOFLES started painting graffiti in his
hometown of Brisbane, Australia. Through putting in hours upon hours of
work, on walls, trains, and his blackbook inside the garige (garage), he
quickly rose to global prominence as a graffiti writer, illustrator,
and muralist. Being versatile in his style and approach, and one of the
fastest painters I’ve ever seen, has helped with producing a huge volume
of work.
SOFLES ‘Compendium’ is a culmination of his twenty years as an artist
and the first major study of his work. Produced by Juddy Roller, and
hosted at the Benalla Art Gallery in regional Victoria, the exhibition
reveals never before seen photographs and footage from the archives, a
sculpture installation built by Drapl, sketchbooks on display, and
brand-new canvas, and site-specific, paintings.
Reflecting on two decades as an artist, SOFLES shares his gratitude:
“It’s been a long and arduous journey, and really fun. I’ve got to meet
some amazing people along the way, and it’s opened the world up to me,
giving me the opportunity to visit a lot of places around the world.”
What’s next?
“Adding some more arsenal to the repertoire. Learning new techniques,
developing my portraits. Just moving forward and trying to constantly
evolve it.”
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Handpan used in this video is called a ShakaPan and can be ordered here: https://www.facebook.com/Shakapan-Sou...
Laser Harp is called a Kromalaser.com
Multi-Instrumentalist Reinhardt Buhr has composed 16 albums in 10 years time.
At the end of 2019, his work went viral through social media, averaging over 4 million views
per month, and the numbers continue to rise.
Reinhardt combines the Laser Harp, Spanish Guitar, Electric Guitar, Electric Cello, Australian didgeridoo, Israeli Shofar, Spanish Cajon, Synthesizers and Piano via a live looping system to create an extraordinary symphonic orchestral sound in only a one-man improvisational act.
Reinhardt Buhr was born in Johannesburg, South Africa in 1988 and grew up with
no passion for music at all, In fact, as a teenager, he became a computer gamer and
began abusing alcohol at a very young age. His first job was at a small liquor store, where he earned 20 cents an hour. After that, he worked as a packer in a supermarket. His plan of
becoming an animator failed when he started abusing marijuana and alcohol on a
regular basis.
At the age of 19, two of his closest friends began learning the guitar. Reinhardt
immediately fell in love with it. With no formal training, the three friends simply
taught themselves how to play. A year later, Reinhardt was inspired by a Flamenco
guitar player, and began learning Flamenco Rumba Guitar from YouTube videos.
One day, he was sitting at a small roadside steak restaurant with his parents, and
there was a man playing solo guitar covers. Reinhardt approached him to make
small talk and the owner of the restaurant overheard that Reinhardt played a bit of
Spanish Guitar music.
So the owner asked Reinhardt “Why don’t you come back next week to play, and I
will give you a steak and 10 dollars in return?” So Reinhardt Buhr played his first
solo Spanish guitar gig that following weekend and hasn’t stopped since.
Reinhardt Buhr quickly became known around South Africa and formed a duo
band called “Wild Lettuce”. He and the drummer performed many national
tours. They also opened for a lot of great artists. But unfortunately, Reinhardt fell
into a dark habit of abusing alcohol, drugs, and cocaine.
This affected him, his career, and everyone around him in a very negative way.
The band broke up. Reinhardt Buhr went solo and left his hometown, hoping to
escape the drug scene, only to find himself moving in with someone who also had
a cocaine problem. The whole cycle started over again.
At the end of 2016, Reinhardt hit an all-time low. He was at the point of death. He
fell on his knees and pleaded with God to step into his broken life. When things
could not get any worse, God in His full mercy and grace, stepped in and changed
his life completely. Reinhardt and his wife, Mandie Buhr, both experienced God’s
salvation and were baptized together. They left a lifestyle of cigarettes, marijuana,
alcohol, and drugs, and began on a beautiful road of salvation and healing.
During the biggest transition of his life, Reinhardt was playing a gig one day. As
he was playing for hundreds of people, He felt a voice telling him to make music
for God. When Reinhardt made the shift from playing for fame and fortune to
playing for Christ Jesus, everything about his music changed! You can even see
the transition from his earlier album called “Organic 432hz”, to his latest album
entitled “The Final Movement”.
To this day, Reinhardt Buhr makes music to God. This is his way of worshiping
His Creator and Saviour, Jesus Christ.
DC BREAKS & COPPA 'Raising The Bar' Punchy. Pure grit. Perfect sounds for your weekend. If you must stay in you should prep with sound beats. DC BREAKS producing great Drum & Bass. Coppa is a certified pro. Up and coming producers must look to Europe when it comes to this edge. BellaBassFly
DC
Breaks move onto the second release of their “DCXV” project marking 15
years in the game. Following on from the hard-hitting ‘Club Thug’, comes
the bass-shaking dance floor track ‘Raise the Bar’. Coppa provides the
track’s vocal call-to-arms over heavy bass driven grooves and soaring
synth patterns. On the flip Skantia delivers a tech-laced jittery remix
of DC Breaks' ‘Concrete Jungle’ and gives it his own unique spin. This
is just the first of many more remixes to come from the series.
"With
the DCXV album, we wanted to represent the breadth of styles that DC
Breaks has covered across the years, as well as refreshing some of our
favourite tracks and ideas with new talent and our own VIPs. One name
we wanted to work with from the outset was Skantia. He’s breathing new
life into the scene with his unique sound and production techniques and
he has absolutely smashed the remix for us.
We’re
also delighted to be featuring Coppa on ‘Raise The Bar’. Aside from
being one of the nicest guys on the circuit, and someone we’ve performed
with countless times, he always sets the tone properly!” - Dan &
Chris
Paavo Siljamäkione member of the infamous Above & Beyond was recently diagnosed with Covid-19. Potentially contracting the virus from a message therapist visit in Bali. Paavo is one of three members in the group Above & Beyond. This virus especially hits home for this trio. Sending blessings to everone effected by this virus. Stay safe!!! Follow the links below to find out how you can contribute. BellaBassFly
"WE'RE ALL IN THIS TOGETHER"
Above & Beyond team up with their Anjunabeats label family and frontline workers on COVID-19 charity single
A new 'respray' of 2019 Anjunabeats club cut 'All In' from the London based trio carries a message that has never been more vital: we're all in this together.
With health workers around the globe locked in battle with COVID-19, Above & Beyond were inspired to revisit Fatum, Genix, Jaytech and Judah tag-team effort, previously titled 'All In', from summer 2019.
Featuring a succinct yet powerful vocal refrain, Above & Beyond's Respray of "We're All In This Together" handles the source material with care, adding orchestral textures, classic trance plucks and a delicate piano outro.
Above & Beyond says, "It's something we've been hearing so often this past month: "we're all in this together". These are powerful words for our time. They are a reminder that we all have a role to play, whether you're a key worker or isolating at home."
The official music video features cameos from over 70 frontline workers who are also members of Above & Beyond's official Facebook fan group, alongside Anjunabeats and Anjunadeep artists and label staff.
Proceeds from the single will be donated to the World Health Organisation's COVID-19 Solidarity Response Fund supporting vulnerable communities in nations without a strong health care system.
"Listening to Hania's music over and over, I began to dream of a single sequence shot that would follow her music floating in the wind of an unreal Icelandic landscape. I asked each dancer to give a personal interpretation of Hania's song. We were very lucky to succeed in this insane artistic performance despite the great cold (minus 7 celsius), it was such a moment of truth." – @Neels Castillon
A piece for solo piano, 'F Major' unravels yet further nuances of the instrument's intricate nature and offers more glimpses into Hania's sonic imagination. It was created in August 2019, while she was composing music for a film: ”one hot summer evening, as I sat at the piano, this melody appeared under my fingers out of the blue” – @Hania Rani
Directed by Neels Castillon
Dancers • Mellina Boubetra, Janina Sarantšina, Fanny Sage
Cinematography • Éric Blanckaert
1st AC • Kévin Rosé
2nd AC • François Przybylski
Set Designer • Odin Deray
Producers • Emilie Mallen, Louis Arnoux
Production Manager • Kiljan Paoli
Executive Producer • Ariane Cornic
Production coordinator • Sandrine Laveau
Editor • Sébastien Rouquet
Colorist • Sébastien Mingam
Production Company • motionpalace.tv
Stylism • SézaneCamera & Lenses • RVZ
