Pre-save 'Forza Horizon 4 - Hospital Soundtrack' here: https://HospitalRecords.lnk.to/ForzaH...
In collaboration with Microsoft Studios for the release of the critically acclaimed game Forza Horizon 4 for Xbox One and Windows 10 PCs, drum and bass tastemakers Hospital Records is releasing a first ever exclusive and bespoke soundtrack for the game.
Featuring as an in-game radio station in a Forza Horizon game for the third time, Hospital Records now also presents 20 exclusive and original tracks produced solely for Forza Horizon 4. The in-game unlockable Hospital Records radio station is hosted by label co-founders Tony Colman (London Elektricity) and Chris Goss, with featured artists including Metrik, Fred V & Grafix, Etherwood, S.P.Y, Logistics, London Elektricity, Kings Of The Rollers and more, available exclusively in the ‘Forza Horizon 4: Hospital Soundtrack’.
Forza Horizon 4 is currently available in the Ultimate Edition and will be available worldwide on Oct. 2. The full soundtrack will be available digitally and on streaming platforms on the 26th of October, with 6 tracks being cut especially for a limited edition vinyl release.
Follow Kings Of The Rollers:
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Follow Hospital Records:
http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords
http://twitter.com/hospitalrecords
http://instagram.com/hospitalrecords
http://play.spotify.com/user/hospital...
http://www.google.com/+HospitalRecords
https://soundcloud.com/hospitalrecords
http://www.mixcloud.com/hospitalrecords/
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Saturday, October 13, 2018
Mindscape - The Reanimator LP (Eatbrain)
Artist Soundcloud // https://soundcloud.com/mindscape
Label Soundcloud // https://soundcloud.com/eatbrain
CULTURE SHOCK | Let It Roll 2018
Culture Shock and his huge selection smashed Mainstage at Let It Roll 2018!
See you in the next summer Let It Roll 2019: https://www.facebook.com/events/19375...
Tickets 2019 | Tickets: http://smarturl.it/LIR2019_tickets_info
See you in the next summer Let It Roll 2019: https://www.facebook.com/events/19375...
Tickets 2019 | Tickets: http://smarturl.it/LIR2019_tickets_info
Teddy Killerz - Chopping Machines EP (Eatbrain
They had drifted through the depths of space for an eternity, a trio of titanic constructions forged upon the surface of a faraway planet. The vast expanse through which they floated was to be their final resting place, the only prison that could contain their colossal strength. Their towering forms were shaped in the image of the most feared predators of their homeworld, hulking chasis of metal with a visage of primal power. Though they appeared to sleep within the infinite blackness of space, an extensive network of sensors worked constantly within their cores, searching constantly for the signs of life that would allow their mechanical hosts to continue their prime directive. As they passed an yet another planetary system, their constant toil bore fruit, detecting life upon an otherwise barren orbital body. In an instant, the massive machines were revitalized by the signals that coursed within them. From their forms shone with a brilliant cyan hue, granting them the appearance of a falling star as they descended towards the surface below.
The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”
The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.
Teddy Killerz Soundcloud // https://soundcloud.com/teddykillerz
Eatbrain Soundcloud // https://soundcloud.com/eatbrain
The automatons stood silently upon landing, monolithic in their stature which dwarfed that of the colony below. Panicked rumors spread quickly throughout the colony’s inhabitants as all attempted to guess what had brought the titans to this world. As these rumors spread, so too did a sound, one new to the surface of this world. Beginning as a diminutive hum, its strength steadily increased until it began to shake the foundations of the settlement and the will of those within before ceasing in a single instant, allowing just enough respite to consider its function. Then burst forth the full fury of the trio, as from their eyes shot forth photon rays which sliced through the colony on a razor’s edge, cleaving its buildings in twain. In the low gravity present upon the planetoid the rubble created by their conquest hung in the air, oddly still in contrast to the ensuing chaos. The titans lumbered forwards through this maze of destruction, accompanying their lethal lightshow with the weight of their booming steps in pursuit of the masses who fled beneath them. A frantic scramble had begun amongst the colonists, as each rushed without care for any other towards the nearest planetary shuttles, only to see them atomized in turn by the rays which swept through the city. The titans let none escape their gaze as they pursued their programming with relentless efficiency, razing the once burgeoning colony to a mere layer of ash upon the surface of the planetoid.. As they targeted the final structure left standing, their sensors picked up an outbound signal transmitted from within. A single weak voice echoed a refrain they had heard before, a descriptive combination based upon their ursine appearance and murderous methodology. ‘They’re TEDDY KILLERZ” the voice shrieked into the transmitter, “and they can’t be stopped!”
The TEDDY KILLERZ make their return to the EATBRAIN with the release of the CHOPPING MACHINES EP, following the impactful release of their earlier HELLBLADE EP on the label. DROP IT struts out of the gate with a bombastic neurofunk beat, whilst the title track CHOPPING MACHINES slices samples and basses with a flurry of sharp edged cuts. JESTER darkens the atmosphere before launching into a similarly fast paced assault, whilst AFRIKA takes a roots based approach to its production. The closing track, STELLAR, is an electric slice of halftime that radiates futuristic energy. Representing a multifaceted approach towards a further expansion of their sound, CHOPPING MACHINES sees the TEDDY KILLERZ in true dynamic form.
Teddy Killerz Soundcloud // https://soundcloud.com/teddykillerz
Eatbrain Soundcloud // https://soundcloud.com/eatbrain
QO - Beats for Love 2018 [DnBPortal.com]
✖ Become a DnB Portal patron http://patreon.com/BassPortal ✖
Ostrava / Cze / 04-07.07.2018 / Live / dnb / drum and bass
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✖ Beats for Love ✖
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Ostrava / Cze / 04-07.07.2018 / Live / dnb / drum and bass
✖ DnB Portal ✖
➔Visit http://dnbportal.com
➔Like http://fb.com/DnBPortal
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✖ Beats for Love ✖
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OaT & KcA - Deflection EP (IN:DEEP)
LISTEN NOW >>>
https://soundcloud.com/onlyatransition/sets/oat-kca-deflection-ep-in-deep
OaT & KcA bring a diverse medley of auditory textures to IN:DEEP Music with the release of their collaborative DEFLECTION EP. Though this unique pairing of creatives arose from mundane & unlikely circumstances in which the artists met as they both reached for the last bottle of milk at a local Aldi Market and their hands joined forces, the sounds within are anything but ordinary. Presented instead is a body of work that sits balanced upon a knives edge, straddling both deep & heavy sounds in an expert sonic synthesis.
DEFLECTION’s dismal atmosphere exudes an aura of initial unease, but is swept away by a rushing flow of percussion and the harmonic interjections of a resonant bass that conduct the EP’s opening at rapid pace. TWISTED WITNESS rings with a variety of bell tones, their resounding peals sounding in a requiem for a subterranean bass that shifts and tumbles amongst stony percussion far below. OPEN WIDE tracks upon the basis of a constant and mechanical drone, its coarse roar ever present amongst flexing pulses of bass and cyclical bursts of percussion. ECSTASY opens with wraithlike vocals that glide over an atmosphere of increasing intensity as the track slides into a funk-fuelled groove atop the fluid movements of a emotive bassline. This mood is exemplified further in the track’s instrumental mix, in which its gritty & jazzy synth chords and posturing percussion take up the mantle of the vocal’s narrative role.
With the DEFLECTION EP, OaT & KcA display an unerring commitment to stranger sonics, reaching for novel timbres and peculiar tones in the creation of an innovative project born of their spontaneous meeting. Indeed, the absurd lucidity of such a meeting shines through the depths of these tracks, which sound with the mark of an equally effortless and spontaneous creation.
IN:DEEP Soundcloud : https://soundcloud.com/indeepofficial
OaT Soundcloud : https://soundcloud.com/onlyatransition
KcA Soundcloud : NA
TRACKLIST //
a.Deflection
b.Twisted Witness
c.Open Wide
d.Ecstasy
e.Ecstasy (Instrumental)
Inward, Hanzo & Randie (feat. The Science) - IKIGAI EP
LISTEN NOW >>>> https://soundcloud.com/sciencethe
Italian Drum & Bass trio INWARD, HANZO, & RANDIE debut their newest EP “IKIGAI” on METHLAB RECORDINGS, featuring the specialized vocal timbres of THE SCIENCE. A rising sonic force in the DnB scene, INWARD, HANZO, & RANDIE have seen their tracks featured on labels such as Red Light Records, C4C Recordings and Blackout, continually exemplifying a raw but refined sound with their production. With IKIGAI, the trio continue to pursue this aesthetic whilst incorporating new and experimental approaches to sonics that install additional vivacity within their work. The resulting four track EP features hard charging tech dnb beats and halftime alongside soaring vocals, an effortless combination that creates a uniquely animated atmosphere on the dancefloor.
MEMORY CHECK opens the EP in full force as the impassioned cries of its soulful vocal echo amongst a syncopated salvo of kicks and neon bass, creating an air of fervent & energized desire. LIBERATE features the striking vocals of THE SCIENCE, which yearn for vibrance against a dystopian backdrop and above waves of reese bass, breaking upon powerful kickdrums in a malstrom of sonic force. SPACEFUNK’s cosmic atmosphere quickly intensifies as a funk fueled guitar riff sends its components rocketing forwards at breakneck pace, bringing the funk back to neurofunk. Its percussion and basses imbued with outlandish vitality by the frantic vibration of its steel strings. THE BITE moves by contrast in murky depths, but is soon transformed as its lumbering gait gains sinister weight with every beat, with percussion entwined by a serpentine bassline that moves divinely between impactful dynamic sonics.
IKIGAI shows INWARD, HANZO, & RANDIE in true form with four tracks that illuminate the trio’s singular dynamism, merging technical ability and creative prowess in a harmonious opus roiling with living energy. One of the most remarkable and rising talents in bass music, featuring on the relentlessly exploratory MethLab platform.
Follow Inward, Hanzo & Randie // https://soundcloud.com/inward-hanzo-randie
Follow The Science // https://soundcloud.com/sciencethe
Artwork by Bryan Cantley // https://www.instagram.com/bcantl3y
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