#TBT - Natural Born Chillers - Rock The Funky Beat

Natural Born Chillers - Rock The Funky Beat

Artist: Natural Born Chillers

Album: Mostly Breaks

Released: 2013

Genre: New age

https://www.amazon.com/Urbal-Beats-2-Various-Artists/dp/B000006P0X

#TBT - Doug E. Fresh and the Get Fresh Crew - The Show HQ !! Edit Remastered by...

Douglas E. Davis (born September 17, 1966), better known by the stage name Doug E. Fresh, is an American rapper, record producer,

and beat boxer, also known as the Human Beat Box. One of the earliest pioneers of beatboxing, Fresh is able to accurately imitate drum machines and various special effects using only his mouth, lips, gums, throat, and a microphone.
Although he began his recording career as a solo artist as one of the last artists on Enjoy Records and one of the first on Vintertainment Records (the same New York-based label owned by Vincent Davis that would later make a name of Hip-Hop artist Joeski Love and bring R&B icon Keith Sweat to ultimate fame), it was when he and a new team of DJs known as the Get Fresh Crew (Barry Bee and Chill Will) along with a newcomer named MC Ricky D (who would later achieve fame as Slick Rick) came to fledgling New Jersey-based Hip-Hop label Danya/Reality Records the following year and recorded "The Show" (which borrowed the melody of the Inspector Gadget theme by Shuki Levy), and "La Di Da Di", a tune that was completely voiced by MC Ricky D and backed by Doug E's beat boxing for the entire duration of the song. It was when both of these songs were released on a single (particularly 12" single) that broke him (and Slick Rick) into stardom. Both "The Show" and "La-Di-Da-Di" are considered two of the all-time greatest
early hip hop classics and, as such, make up one of the first and only Hip-Hop singles to have two hit songs on the same record.

Welcome to the Jungle Vol. 5 [Jungle Cakes] INCLUDING FREE DOWNLOAD!!!!

 

LISTEN NOW > https://soundcloud.com/djdeekline/magnificent-free-download/s-sz7rl

Ed Solo and Deekline have spent the better part of two decades at the forefront of bass music. Not only have they been champions of the most raw and dirty beats, many would go so far as to say they are some of the architects of the ragga Jungle sound. These two bad boys have consistently pushed the envelope in new and exciting ways, and are steadfast in their ability to look into the future while always paying homage to their roots. They’re legendary for their skanky riddims as the low end technicians behind classic tunes like “Bad Boys” and “King Of the Bongo.” 

They’ve returned to drop science on the masses for the 5th installment of the Welcome to the Jungle series, which has now become a flash point for the freshest and most forward thinking sounds in the genre. Spread across 2 dynamic mixes the boys lay down the bass in an aural journey through dirtnasty bass and crispy clean rhythms. 

The Jungle Cakes crew always pays intensely close attention to detail, and only selects tunes that are both teeth rattling and forward thinking. Industry heavyweights like Serum, Bladerunner, Serial Killaz, Benny Page and JFB have all laid down the weight contributing their best beats to knock the subs. Of course No Jungle Cakes compilation would be complete without a dizzying array of edits, remixes and originals from the bad boys themselves: Deekline and Ed Solo. Like the four comps before it, this is destined to become a future classic. 

/// LINKS /// 
Soundcloud: http://bit.ly/2vepi28 (FREE TUNE FOR BLOGS) 
Buy: https://fanlink.to/qmg 


/// JUNGLE CAKES ONLINE /// 
https://www.facebook.com/JungleCakesUK 

Smooth - Device - RAM RECORDS

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For twenty five years, Ram Records’ ground breaking roster have stood at drum & basses forefront. Time and time again, they’ve delivered some of the most definitive releases which have helped to shape the genre’s roots, becoming a prized part of its antiquity and huge back catalogue of releases. But alongside their primary artists, they’ve also welcomed guests to bring their refined production to Ram’s ever-growing discography. Their next addition is from Smooth, an artist whose spent years refining his craft, from playing instruments in his formative years to turning his hand at metal, hardcore and finally drum & bass, where he landed himself on its most revered imprints. He continues this ascent with the ‘Resurrection EP’ on Ram, featuring four fresh cuts to add to an already stellar succession of releases.

First from the new batch of records is ‘Trajectory’, a steppy, snapping whirlpool of clattering bass rhythms and fluctuating note patterns. It pulls you into Smooth’s dreamy soundscape, whilst still channelling a bassline which pulsates steadily underneath each flurry of beats. Up next comes ‘Disco’, with a more cascading, jazzy appeal, one which gradually builds into uplifting pads and clattering drums, helping to flesh-out the composition. ‘Disco’ points to Smooth’s streamlined musicality, which features a huge repertoire of sound.

‘Device’ follows with a cinematic intro, which begins to grow steadily on a quick succession of sonic stabs and heavyweight drums. Amongst old-school breaks and rattling percussion sitting underneath the mix, the track is tribal yet crunches with grinding LFO. It’s fierce in its delivery and channels more contemporary production standards. ‘My Feeling’ finishes the EP on a completely different vibe, drawing out keyed arpeggios and elevating synths. Smooth flexes his creativity one more time before the Resurrection’s close, stringing together shimmery vocals and an emphatic climax. Alongside its predecessors, ‘My Feeling’ gives the perfect end to a stellar release. One welcomed by Ram’s decorated history.

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RAM Website - http://ramrecords.com

Krakota @ Hospitality In The Dock (Tobacco Dock/London)

Krakota's set on the Great Gallery at Hospitality In The Dock/London.


Tickets for Hospitality In The Park 2017: https://HospitalityInThePark.lnk.to/e...

Krakota - Bullet Proof Vest:
https://HospitalRecords.lnk.to/Hospit...
Hospitality In The Park album:
https://HospitalRecords.lnk.to/Hospit...

Follow Krakota:

https://www.facebook.com/Krakota/
https://twitter.com/Krakota
https://soundcloud.com/krakota
https://www.instagram.com/krakota

Follow Hospital Records:

http://hospitalrecords.com
https://www.facebook.com/Hospitalrecords
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http://www.mixcloud.com/hospitalrecords/

Translating Climate Change Data into a Musical Score

Thea Rossen is a percussionist and composer from Australia. She was at Banff Centre in 2017 for the Concert in the 21st Century residency, which explores new ways to present live music. While here, she workshopped the performance, "Music for our Changing Climate," with her collaborator from the Ad Lib Collective, Jared Yapp. After her time at Banff Centre, Thea premiered her work in Melbourne, Australia.


One portion of the hour-long performance is called "Sounds of the Reef," which sonifies data about the rising ocean temperatures surrounding the Great Barrier Reef, and the resultant damage done. Rossen and Yapp use unusual materials such as dripping ice cores, and bleached coral to create sounds authentic to the project's theme. Rossen hopes to start a conversation about science using music and art.

Footage from the Melbourne concert captured by Agatha Yim, Polyphonic Pictures.

http://www.thearossen.com

Learn more about Banff Centre for Arts and Creativity:
http://www.banffcentre.ca
Twitter and Instagram: @banffcentre

Open Space: DJ Carnage

“I was raised in a third world country, kind of the same thing compared to some kids living in the hood,” says DJ Carnage of early childhood in Guatemala. From these beginning he moved to the suburbs of Washington D.C. and then farther out to the Maryland boonies. As he detailed during an Open Space session for MASS APPEAL, the EDM star’s career has taken a similarly unpredictable route.


With few friends in the rural U.S. and an unfamiliarity with the country’s culture (“All he knew was WWF, Spanish Nickelodeon and my Naughty by Nature cassette tape”), Carnage began making beats and putting together mixtapes of songs he found on MySpace. “I was so infatuated with Khaled and Drama, I wanted to do that,” he says.

And though Carnage has become a major name and major draw in the dance music, he’s stayed involved with hip hop. He connected with Lil Uzi Vert when the young artist only had about 400 followers on SoundCloud (he’s currently at 1.19 million) and hooked him up on “WDYW,” a track with A$AP Ferg and Rich the Kid.

Carnage also has an EP on the way with Young Thug and he gave us some insight of what’s like and how quick you have to be when with the mightily prolific artist.

Watch our Open Space video above for the full interview.

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What started as a humble graffiti ‘zine in 1996 would soon grow to be one of the most trusted outlets for youth-spawned urban culture. Today, Mass Appeal is a media collective led by authentic voices and inspired minds. We are a platform for radical creatives who are transforming culture.